Thursday, January 14, 2016

PAOLA CHEN LI IB Lincoln School Costa Rica 2015









THE ARTIST STATEMENT
Paola Chen
Word Count : 345
     
IB Art is a place to explore and to venture out. I used to hinge on realism because I wanted beauty. I wanted proportionality. I wanted accuracy. All I wished for was reality, where I could create an aesthetically pleasing artwork with nothing else beyond that flat surface. Somehow my head couldn’t grasp there was something outside “realism;” that realism was not the only technique to achieve beauty. The reason I chose IB Art was because I aspired to cross the threshold of “average” into an unknown place to color my mind and grow.
            Words never come out easy for me when talking about feelings, so the only way I voice out my opinion is visually. Thus, I started using art as a way to express my reaction towards the flawed societal demands and the doubt of identity. I struggled with finding a true style that reflected this theme, but the many techniques I learned throughout the course, such as media testing, encouraged me to experiment with different brush strokes and finding a style. Everything I did before was painting inside the lines, so in order to overcome my weakness I regarded everything as a media test. This thinking helped me because then I wouldn’t have the pressure of making a mistake. It made me feel unbounded. Furthermore, the media I explored the most was acrylics. I call myself more of a drawer than a painter precisely because my hand was untrained in this area, but later I was exposed to splashes of paint and the freedom of a canvas.

            Near the end of the course I realized the progression of my art, where line quality and color became my strengths. I was majorly inspired by the Expressionist movement. The dynamism and color in "The Scream" by classical artist Edvard Munch became the origin of my Expressionist period. Similarly, contemporary artist Shin Kwang Ho and his renditions on the nature of identity motivate this exploration and beyond. Influenced by them, I came into a conclusion that my artworks reflected specks of Existentialism and Expressionism inside a realist silhouette. 

"Demon"
Acrylics on canvas by Paola Chen


"Goldfish Memory"
Oils on canvas by Paola Chen Li

" Physics"
Sculpture with wire by Paola Chen

"Positive"
Assemblage by Paola chen Li 

" Too Much Crying "
Watercolors on watercolor paper by Paola Chen Li

"Hush"
Acrylics on canvas by Paola Chen Li 

"Lemonade"
Acrylics on canvas by Paola Chen Li 

"Below Zero"
Acrylics on cardboard by Paola Chen Li 

 "Lost & Placed"
Acrylics on canvas by Paola Chen Li 

"Become Intangled"
Acrylics on canvas by Paola Chen Li

" Growing Younger"
Acrylics on canvas by Paola Chen Li



INVESTIGATION WORKBOOK SAMPLE
By Paola Chen Li
























ALEJANDRA MATAMOROS IB Art Lincoln School Costa Rica 2015




















THE ARTIST STATEMENT
Alejandra Villalobos


While researching, I came across the famous German philosopher Friedrich Nietzsche’s book The Birth of Tragedy in which he explores the dualism between two opposing forces, the Apollonian and the Dionysian. The Apollonian refers to all the physical constructions in attempt to cover the natural and dark aspects of humans, represented by the Dionysian. This way, I was able to see how there was also a dualist conflict in myself; a battle between reason and emotion. This is why through the process of IB Visual Arts, I was interested in unchaining the freedom of expressing emotions against reason.

Expressionism is the art movement I found to relate the most. Artists such as Ernst Ludwig Kirchner and Vasily Kandinsky inspired my artworks. I took the ideas of swirls, high contrast, distorted figures and spontaneous brushstrokes to echo my psychological thoughts which where always linked to my emotions. I also learned through this process that the best of my ideas were not pre-mediated; I worked best when I was freeing my mind from censorship.

I was able to work with different mediums and techniques such as acrylics, oils, India ink, linocut and pigment liners. This way, I discovered that one of my strengths is the use of color and contrast. Even though the medium I felt most comfortable with was with pigment liners, acrylics gave me the opportunity to work at a larger scale.



"Alejandra vs. MarĂ­a"
Mixed media by Alejandra Matamoros



"Invisible Electrical Impulses"
Assemblage by Alejandra Villalobos



"Ms. Sorrow with headphones"
Linoprints by Alejandra Maria Matamoros Acosta



"Random Thoughts" Mixed media
 by Alejandra Matamoros 


"Random Thoughts" Mixed media
 by Alejandra Matamoros 





"Random Thoughts" Mixed media
 by Alejandra Matamoros 
"Random Thoughts" Mixed media
 by Alejandra Matamoros 


 "Parade of Voices "
Acrylics on wooden board by Alejandra  Matamoros
 

" Dichotomy of Solace "
Graphite on paper byAlejandra Matamoros



"Reaching Out"
Acrylics on cardboad by Alejandra Matamoros


"Windows of Confusion"
Miixed media by Alejandra Villabobos


"Clarity in warm currents"
Mixed media on flat canvas by Alejandra Matamoros


INVESTIGATION WORKBOOK SAMPLE
By Alejandra Matamoros Acosta